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ariseprincebensolo:

At this point, it’s more like why didn’t DLF do anything that makes sense to enhance their own story.

allgirlsareprincesses:

THIS. I’m still having to hear from people that Crylo Ren was a school shooter, and they’ll never know any different because DLF didn’t put the CRITICAL INFORMATION THAT MAKES THE SON OF HAN AND LEIA SYMPATHETIC actually IN the f*cking movie!!!!

I genuinely don’t understand. Like if they wanted him to be a horrible irredeemable villain, fine, then don’t cast Adam Driver and make him cry to go back to his mom g*dd*mmit. Don’t write this tragic backstory of the victim who never had a chance. But if you DO choose to write that, then SHARE IT WITH THE AUDIENCE because it’s f*ckin RELEVANT, dipsh*ts.

And this, THIS is why I have trouble believing the treatment of Ben Solo was sheer stupidity. It sure as sh*t looks like malice to me. Not sure who exactly had it in for this character but someone did and thanks jerks you gave huge numbers of people an even worse mental health crisis around the holidays. Ugh.

daughter-of-water:

This trilogy makes my blood boil I swear. Much of the shit we have to put up with for caring about this character is because Lucasfilm kept leaving out important elements onscreen for the general audience to see. It was important for audience to see little Ben overshadowed by Snoke in the vision Rey receives from touching the lightsaber but it was cut. It was important for the audience to learn exactly what happened the night Luke’s academy burned but that was pushed off into the Rise of Kylo Ren comics which only diehard Star Wars fans read. It was absolutely crucial for the general audience to actually see Ben struggling to function with voices in his head but once again even that gets left out. This character is suffering and the truth of his deeds are mired in lies but the general audience never gets to learn that. They still think he is a spoiled son of rich parents who just became a Space Nazi because he was mad they didn’t give him enough attention. It just makes me so incredibly mad and the only reason they did it seems to be so they could drag on the whole Skywalker villain in a mask spiel which wasn’t even the most interesting thing about his character.

nite0wl29:

Why would DLF cut this?!?

Source
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grey-jedi-enters-the-game:

grey-jedi-enters-the-game:

gamebird:

robotmango:

robotmango:

robotmango:

it cracks me up how fandom still sometimes mistakes han solo for like…. a cool bad boy, but literally everyone in the actual star wars universe knows the truth. even fucking snoke…. snoke…..who didn’t have the perception to realize when he was Totally about to Get Murdered….. even he can look at han solo’s only son and be like “you’re fucked, kid. your dad was the nicest man in space. a slightly prickly teddy bear with a marshmallow center. a pushover. his vest pockets? full of ice cream money. if you’ve got a mean bone in your body, you got it from your terrifying mother”

like i’m rewatching tlj and snoke’s line about kylo ren having “too much of his father’s heart” …. how the fuck does snoke know about han solo’s big beautiful heart, i am really asking??? did he once give snoke’s ship a fucking jump when it was stalled out? did han solo appear in the star wars equivalent of those sarah mclachlan commercials, holding a fucking adoptable porg in each hand? did kylo ren tell snoke stories about his dad picking him up from school and taking him out for burgers like what the fuck, how the fuck does the entire universe, including a fucking sith lord, know what a sweet crusty old fucking dope han solo was??? were there fucking pamphlets???!!?!

kylo ren: “and my dad never understood me… he feared my power”

snoke, electrocuting him: “you shut the fuck up about han solo, that man is a saint”

What’s funny is that even with TROS and the Snoke-was-Palpatine bizarreness, how Snoke knew about Han remains unanswered. Because there’s no reason Palpatine would have known shit about Han other than his profile: Corellian street rat, imperial pilot dropout, unreliable smuggler, involved in destroying the Death Stars, was in debt to Jabba and had a bounty out on him until his friends wasted Jabba while he was on ice.

None of that says Han was a nice person. (or a bad one)

Isn’t it canon that Snoke was in Ben’s head prety much from the moment he was born? Taking that into an account, he either saw Han Solo through Ben’s eyes directly, or he had an access to his memories at least on ocasions, so i wouldn’t put it above him to know more than enough about the man. Also, even if one was to use eliminating method, indirectly through FO’s politics, Snoke was in contact with Leia as both a senator of New Republic and also as a general of her own army division. As such, even if spying throug Ben’s eyes were not the case, he probably knew her and deduced that since she’s the mean and unmovable one from the couple, the “heart” Ben got must have been inherited from his father.

Btw that being the case, it doesn’t mean that Han wasn’t a shitty father. Loving his son or not, if his primary coping mechanism to even the smallest relationship crisis considered from either gambling, leaving on some shady delivery, or both, then no wonder Ben low-key hated him even before turning. So what if Han always magicaly appeared just when the shit hit the fan if he was absent for the most of other times? And even if he was around, his way of showing affection has always been bantering, arguing and sarcasm - things a child under 10 years of age (at which point Ben was sent away to Luke to be trained in Force) can’t understand. So here we are, a busy mother constantly tied up with politic disputes to solve, absent father unable to say I love you, and a lonely child hungry for love and aproval. Organa-Solo family has always been a three-way mess filled with affection and anger and you can’t change my mind.
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Hello Nonny

Can i be brutally honest here? The whole “Leia died to bring Ben back” is just to me another way our fandom is coping with the fact that Leia didn’t do jack. We literally have her doing more than her fair share for someone else who is not her son while she is there fighting a war against her son. Its like this movie and the people are using some another Jungian dictionary than Jung himself  while writing what means what in screen.

You cannot just magic away someone else’s darkness away, especially since even if its true, that makes Leia shitty that she didn’t make an effort to do that  for , i don’t know? 30 years? is that how long Ben is born for and is violated by Snoke for?  You cannot blame genetics for darkness either, it directly violates what Lucas meant when he made this fantasy.

For someone who claims to want Ben back she is doing nothing to make it happen. She wanted to send Han in first movie to bomb him and only talk to him if he come across him. She is fighting an all out war against him and is making no covert effort to communicate . She refuses to have an armstice or a parley with her son who is supreme leader. She makes ZERO efforts beyond bare minimum to talk to him even before he fell to darkness in Bloodline. The problem is i get at least before TROS why they did this because they have justify why her relationship with Ben detoriated the way it did but now it all looks damning. It looks as damning as when Rey in Resistance Reborn pretends in front of Leia that what Kylo told her was a story, that Luke didn’t confess at attempted murder so ofc Leia won’t follow up with any question and would be grateful that Rey made an effort to redeem her son from her own good heart. What an ingratiating asshole!

So when Leia purposefully lies down and dies it just looks like its something she had to do to become Force Ghost to help Rey in her quest to kill Palpatine , since she is dying anyway with Ben’s name a nod to her lifelong bare minimum effort to prove to herself that she is a good mother.At worst? It could be interpreted as Leia deliberately messing with Ben;s head so he dies at Rey’s hand.

I know that is not want the writers wanted to portray but this is what it is .

Ben is right. He knows he was send away because of him being so much like this man he never met but is biologically linked forever by his own mother and she never was able to accept him because of that. When he was all alone in bumfuck nowhere, she had no time to call and communicate with him for months. When news broke of Anakin’s paternity, she didn’t bother to fly out to meet him when politically it made so much sense that Leia play the “you harmed by poor child” card against Senate and let the scandal cool down . When news broke of his so called arsonory and even murder charges, she made no effort to contact him or find if he is safe or hear his side of the story. The next Ben hears his mother is head of a personal militia and is searching for the man who attempted to kill him in his sleep not him!

He is not an idiot. Snoke might have fed lies to Ben about what his family thinks of him but god knows Leia made it oh so easy. Disney;s version of Leia is one of those workaholic mothers who had kids because everyone has them and is shitty to them in the name of “i should be allowed because men were before!”

Ben is right , he was 100% right and even when the plot wanted to imply he is wrong and only his excuses prevents him from going back to Leia, it undermines itself when we see Leia never come back even posthumously for her son when he is good, redeemed and fighting for his life and victory of her precious Resistance all alone in the pit!

I remember once some BNF in her meta said that Lucasfil has terrible track record with women and motherhood and how the keep on fridging them? Well now we can say they are not technically dead but might as well be useless and are now shitty mothers instead because she had a career. Which is not that good stereotype either and plays on the same trope that Mothers are not people . Hera is the only remaining SW mothers left who is not fridged or turned into an emotionally unavailable asshole. Pray for her!
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gffa:

Star Wars Adventures #30 | The Rise of Kylo Ren #1

These two comics came out within in a month of each other and it’s entirely possible that it was just two authors (Michael Moreci and Charles Soule) touching on a similar character trait, but it was sort of fascinating to see these two moments so close together, even if they’re in tonally different comics.

The Star Wars Adventures one is mostly this hilarious hissing catfight issue between Kylo and Hux who are getting on each other’s nerves and are set off by the slightest annoyance at each other, while The Rise of Kylo Ren has a much more serious moment, where the other Jedi are asking Ben for clarification on wtf just happened, because Luke wouldn’t just attack one of his students like that and you could never–  “What?  What, Voe?  You don’t think I could do it?  You don’t think I’m straong enough in the Force?”

Both are about Ben reading way too much into what someone else says and immediately lashing out because he thinks they’re questioning how strong he is, you really get a sense of him hanging his hat on the idea of that power and strength, because even when people are clearly not saying that (as in TROKR), it’s the first place his mind jumps to, that Hux clearly isn’t saying he’s not physically strong enough, but that Hux is trying to get involved with the First Order stuff again.

That these moments are far and away more about how Ben Solo sees himself and how is self-esteem is cracked and fractured, so he patches over it with anger and rage and “I’ll show you how strong I am!” lashing out, instead of actually hearing what they’re saying or taking a look within himself to settle more firmly in his own skin.
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sw-daydreamer:

Source : screenrant.com/star-wars-comics-kylo-ren-never-evil-dark-side/

Star Wars has - perhaps unwittingly - proved that Kylo Ren never fell to the dark side at all. Although Kylo Ren considered himself the heir to Darth Vader’s legacy, in truth he never seemed committed to the dark side in the same way his grandfaher was. Even in Star Wars: The Force Awakens, Kylo Ren was portrayed as conflicted, aware of the pull of the light side of the Force.

Charles Soule’s The Rise of Kylo Ren has finally revealed how Ben Solo fell under the sway of Supreme Leader Snoke. It’s only three issues in, but the miniseries has already shown Ben Solo’s fateful duel with Luke Skywalker, the destruction of the Jedi Temple, and his recruitment into the Knights of Ren. Surprisingly, though, the story has also confirmed what many Star Wars fans had suspected all along; Ben Solo never really fell to the dark side at all. Where Anakin Skywalker was seduced by the dark side, Ben Solo was instead trapped by it.

Anakin Skywalker is a tragic figure, with his own character flaws leading him to choose the dark side every step of the way. Star Wars: Episode I - The Phantom Menace touches upon his fear, anger swells within his heart in Star Wars: Episode II - Attack of the Clones, and by the end of Star Wars: Episode III - Revenge of the Sith he has chosen the way of hate. The pattern is exactly the one predicted by Jedi Master Yoda; fear leads to anger, anger to hate, and ultimately Anakin himself - and the entire galaxy - suffer because of his hatred. 

But there’s no such descent for Ben Solo, no moment of choice where he embraces the dark side. Rather, every step of the way, the decisions were made for him.

Ben Solo’s Duel With Luke Skywalker

Palpatine seems to have had no conscious awareness of Anakin Skywalker, the Chosen One, until he was brought from Tatooine by Qui-Gon Jinn. In contrast, he appears to have been interested in Ben Solo since before the boy was born. In Chuck Wendig’s novel Aftermath: Empire’s End, there’s a scene in which Leia uses the Force to sense the child inside her womb, and momentarily becomes aware of a terrifying and malevolent presence watching over her. It only lasted for a heartbeat, and was soon forgotten, but it’s now safe to assume Leia was fleetingly aware of Palpatine himself. 

The Rise of Kylo Ren reveals the Emperor’s presence haunted Ben Solo throughout his childhood and into his teenage years, a constant darkness whispering in his ear. 

That accords perfectly with Palpatine’s own words to Kylo Ren in Star Wars: The Rise of Skywalker, when the Dark Lord of the Sith told Ben he had “been every voice you have ever heard inside your head.” Presumably Palpatine hid his presence from Luke Skywalker in the same way he concealed his inner darkness from Master Yoda and the Jedi Council all those years on Coruscant.

Finally, the moment came, and Palpatine personally orchestrated a fateful duel between Ben Solo and his uncle Luke. The Rise of Kylo Ren makes it abundantly clear Palpatine’s dark presence was at Ben’s side that night, when Luke entered his nephew’s room to watch over him. Although it’s not officially stated, the comic strongly implies Palpatine chose to let the mask slip, allowing Luke to sense the infinite evil of the Dark Lord of the Sith himself. Little wonder Luke reacted on instinct, suddenly aware of an infinite darkness and believing it to be Ben himself. It was probably Palpatine himself who stirred Ben Solo at that moment, and the boy defended himself, goaded into action by the Emperor’s words.

The Destruction Of The Jedi Temple

With Luke Skywalker supposedly slain, the entire galaxy believes Ben Solo then turned on the Jedi and destroyed the Temple, slaughtering all of Luke’s students. Star Wars: The Force Awakens intended this to parallel the sacking of Coruscant’s Jedi Temple in Star Wars: Episode III - Revenge of the Sith. There, Darth Sidious tested Anakin Skywalker’s loyalty to the dark side by having him participate in Order 66, sending his new Sith Apprentice to the Temple to slaughter the Younglings personally. It was a horrific indication of Anakin’s descent into the dark side, and he embraced it wholeheartedly. Anakin’s actions at the Jedi Temple were essentially the point of no return, and Obi-Wan Kenobi gave up on any possibility of redeeming him after he watched the footage.

In contrast, though, Ben Solo was no participant in the destruction of a Jedi Temple; The Rise of Kylo Ren reveals Luke Skywalker’s Jedi Temple was destroyed by Palpatine. The Emperor didn’t want to act openly, fearful Luke would be too powerful for him to defeat. But with Luke down, Palpatine unleashed a terrible Force Storm upon the Jedi Temple, killing everyone there. Ben was nothing more than an observer, watching in horror as almost everyone he’d grown up with was slaughtered. He took the blame for what happened when three Jedi who had been offworld arrived, and found him standing there, grief-stricken because he believed he’d just slain his own uncle and was unable to explain the atrocity he’d just witnessed.

The Death Of Han Solo

There’s a striking contrast between Anakin Skywalker and Ben Solo. Palpatine deliberately provided Anakin with countless moments where he could choose good or evil; the soon-to-be Emperor had stacked the odds in favor of the dark side, but there was a choice nonetheless. But Kylo Ren’s decisions were made almost by default, as he was forced down the path Darth Sidious had chosen for him. His first real moment of choice appears to have come in Star Wars: The Force Awakens, when he was confronted by his father, Han Solo. According to the Star Wars: The Rise of Skywalker Visual Dictionary, Palpatine intended Han’s death to parallel a Sith initiation ritual, where a would-be apprentice sacrifices someone who matters to them in order to bind themselves to the dark side. It’s quite striking that, all these years after Ben Solo had become his agent, the Emperor still felt the need for an initiation ritual.

But Han Solo sabotaged it. It’s safe to assume the Sith ritual required the unwilling sacrifice, an act of violence that would see the Sith Apprentice abandon their conscience and commit an act of unspeakable evil they could never go back from. Instead, Han seems to have embraced his death, willing to offer his own life if it would ease his son’s pain. 

It’s true that this act of patricide was still an act of darkness, but Han’s choice essentially corrupted it by adding an intrinsic element of love. 

In Star Wars: The Rise of Skywalker, Ben Solo reimagined the conversation, and it played a key part in his finally stepping out of the darkness and into the light. The Emperor’s initiation ritual had completely backfired. There’s a sense, then, in which Han Solo was ultimately Palpatine’s undoing.

Ben Solo never truly fell to the dark side of the Force. Instead, he was imprisoned by it, trapped by the Emperor’s schemes. The idea is implicit in Star Wars: The Force Awakens, where Kylo Ren sensed the truth in Han’s words when he declared Snoke would use him and cast him aside; “It’s too late,” he answered, suggesting he would choose the light if he felt able to. And it’s there in Star Wars: The Rise of Skywalker, when Kylo Ren told Rey to “surrender” to the dark side - unwittingly hinting at the relationship he himself had with it, one of conquest and defeat rather than conscious choice. 

Importantly, this reframes the end of Ben Solo’s story, because he isn’t a man of darkness redeemed, like his grandfather. Rather, he is a prisoner who was freed by the faith of his parents and the woman who loved him, and who sacrificed himself to free the galaxy and give Rey the gift of a life of freedom.
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nevernerdenoughblog:

rosamundhodge:

magpie-trove:

allgirlsareprincesses:

catefrankie:

allgirlsareprincesses:

catefrankie:

I am at peace with Ben sacrificing himself, because I am positive that sacrificing oneself is good.  In fact, it is a greater act the more innocent you are and the more you are giving up.  

Ben could have come home again - which is precisely what makes his sacrifice so noble.

Ok but him living and being able to make sacrifices for the people he loved every day would have been better. A noble life is better than a noble death. I don’t care for this story encouraging people (men especially) to have a death wish rather than order their lives in service of love.

“Head full of fantasies of dying like a martyr?”

“Yes.”

“Ah, dying is easy, young man, living is harder.”

I’m sorry, but I must disagree.  

All of our sacrifices are modeled on the Cross.  Marriage is a way of being conformed to the Cross, a way of giving the whole self forever; so too consecrated virginity.  But so is martyrdom - “martyr” is not a dirty word in Christianity.  It’s not that the early Christians somehow didn’t value life as much as we do now, it’s that there are goods greater than earthly life, for which earthly life can be legitimately sacrificed.  It’s not a death wish - it’s a wish for that greater good, for the sake of which dying can be foreseen and consented to.

Living is not the better or higher sacrifice, though it may be harder in some cases.  No greater love than this, Christ says: to give one’s life for one’s friends.

Does Ben’s death fit these requirements?  I think so.  I think Ben foresaw his death as a possible effect of healing Rey; he wasn’t surprised by it.  But he didn’t directly intend it, he didn’t throw his life away - his intent was to save her, and he accepted his death.  There’s a difference.

I am perfectly fine with the story encouraging men to love their beloved like Christ loved the Church and gave Himself up for her.

Ben wasn’t wrong to give his life for Rey. But Ben is not a real person making real choices. He’s a fictional person in a fairy tale whose fictional death makes a point, and in context of our modern world, I don’t think that point is as pure as you do.

I’m planning to write a longer essay on this so I’m going to let it lie for now.

I really shouldn’t because I’m terrified of Discourse TM, but I kind of want to chime in here because I think this back and forth highlights a divide in the message of Ben’s death depending on how it was viewed. And that divide stems from a distinction about the nature of sacrifice/death that I think is important to articulate. I mentioned it in another post, but here it is more fully. (Sorry guys, hope that’s ok?)

Sacrifice, the act of pouring oneself out for someone else, is undoubtedly a good and beautiful thing. It’s what Jesus did for us. It’s what he encouraged us to do for others. “Greater love hath no man than this, that a man lay down his life for his friend.” BUT the clincher here is that last bit—he must lay it down for someone. It is the act of giving up one’s life because you see no other way for someone else to live. Ben’s death, from an in universe perspective, fits this definition. I want to quote the lovely [profile] bensaidbutido here because they said it beautifully here ( https://bensaidbutido.tumblr.com/post/190395630378/i-just-keep-thinking-about-how-ben-literally#_=_)  and I have never stopped thinking of it since:

“Ben reached a level of happiness that I don’t think any other character in this saga could’ve felt, and that happiness was out of pure love for the life he brought back.

Rey brought light in Ben’s life, and he would never want that light to be taken from the galaxy.

He loves her so much he couldn’t imagine a world without her, even if it meant he couldn’t live in that world himself.”

He saw value in her, loved her, saw no other way for her to live, and gave his life for her so she could. That is undoubtedly true and beautiful and noble. And it is, as [profile] catefrankie says, something to encourage people to live up to. It’s the deepest form of selfless love possible. Why would we not?

HOWEVER, there is also another type of sacrifice we see in American story-telling especially and particularly in the much discussed death-as-redemption trope. And that’s where the character gives themselves up for someone else because either they or the authors saw no other way for them to live. It is, essentially, a glorified form of suicide. It says “there is no going back from what they’ve done/gone through; they can’t possibly have a happy life; there’s no other way out for them except to die, so they might as well give up their life, because Death is the only escape, the only way forward, that they can possibly have.” THAT is what sends a toxic message; and having waded through the discourse and looking at this from the perspective of the audience, especially the audience from within a culture of punitive justice who’s un acclimated to the concept of living redemption, Ben’s early death as his ultimate fate (it’d be a different story if he had given it up gotten it back again) feeds into the idea that, because he did bad things once, there is simply no other way out for him. He can’t really go home, be forgiven, and live. A “Noble Death” was the only possible good ending for him. And I think that’s what [personal profile] allgirlsareprincesses is reacting to and arguing against. The general audience tends to sit in something like the position of the elder son in the parable of the prodigal son. They haven’t done anything, at least as bad as he did. For them, it’s watching him come stumbling home, seeing the father (the narrative) hug and forgive him, and then instead of breaking out the fatted calf, the father says “and now my son you must go forth and die because naturally you can’t come back into my house.” And the elder brother/audience expects this reaction because that’s what comes of being a criminals like him—maybe some nice sentiments of forgiveness but there’s no real coming back and happily ever after after what he’s done. And the few people in the audience who find themselves in the prodigal’s shoes also expect this reaction even if they dare to hope for something better. It’s saying their sins can’t really be erased by forgiveness and so they must die. By placing Ben’s death in the context of Ben’s “coming back” the narrative validates the general audience’s idea that there was no other way forward for him but death. 

So I think what’s going on here (and I’m saying this because I was and still am writhing between these points of view) is the clash between Ben’s sacrifice within the context of itself and Ben’s death within the context of real-world perception. The first is true and good and so so deeply beautiful, and is something for all of us to aspire to in its Christ-like demonstration of deeply and fully selfless love, giving oneself up for the beloved. The second is a toxic, vaguely suicidal notion flying a flag of “forgiveness, but only so much” and denying that mistakes can truly be moved on from in any meaningful way in life, thus feeding into a cynical ideal fueled ultimately by despair. And these two ideas are largely at odds with each other—appreciating the beauty means to be able to separate out and disregard the other perspective, and looking from the latter perspective deprives one of the beauty. 

(Of course, one might also argue that even if Ben sacrificed himself beautifully, the nature of the fairy tale that this was supposed to be should have granted it to him again; or that he should have had his sacrifice at least acknowledged and Rey should have been allowed to react; but that’s a whole other argument and not the point of this.)

By placing Ben’s death in the context of Ben’s “coming back” the narrative validates the general audience’s idea that there was no other way forward for him but death.

I love every part of this post but ESPECIALLY THIS BIT, because I think it hits on the real crux of why Ben’s death was problematic for so many fans: it basically lets the viewer decide whether or not Ben could have really come home again, and while I do firmly believe he could have (and that the Resistance would have accepted him), it hurts that we never get the catharsis of seeing that, of Ben seeing that.

The comparison I keep circling back to is Ben’s death vs Tony Stark’s. Both were selfless and beautiful acts of sacrifice that showed how much the characters had changed from their first appearances, but for Tony, the narrative made it really clear the he died because he had already become a hero—NOT because it was the only way for him to stop being a villain, and not because there was no hope that anyone would forgive his crimes. 

Which is why I think that if Ben Solo were to die in TROS, he should have joined the good guys in Act I. Then we could have seen it was possible for Ben to come home and have a life after villainy, and then it would have been a lot more heart-wrenching but also more beautiful and moving that he chose to give up that life for Rey.

I agree with the last point made.

Death as a sacrifice clashes here with Death as redemption.

A redeeming villain or anti-hero could die to become the ultimate hero in their in the pinnacle of their becoming-a-hero arc. That’s Tony Stark.

A villain could also die as the first and last act of heroism, when it’s too late in the game for this villain to come back and reincorporate into society (and I mean late in the story, not late per se). That’s Darth Vader.

Ben Solo died as the former, kinda. He redeemed himself earlier and performed his first heroic act by showing up to help Rey and died later becoming the most selfless hero of the saga. However, he didn’t have a heroic arc. It was too late in the game to give him an arc of him becoming a hero, since he was a stagnant villain for the first two thirds of the story. He doesn’t evolve into one, he doesn’t learn to be one and he doesn’t have the opportunity to enjoy the life as one. Tony does. Tony lived the life of the hero and that’s why he could become the greater of them all. That’s not Ben. He never enjoyed the world of the Truth.

Those ten minutes of action as a redeemed Ben Solo left his character in between two kind of narratives. And that’s why either his death or his earlier redemption (depending on who you are talking to) feel so gratuitous.
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chiclet-go-boom:

See, this is the thing. Everybody’s got the right to feel how they feel about Kylo Ren and the movies and the supplementary material. Canon gets rifled through constantly, pieces picked up and discarded to fit whatever works best for the individual. And there’s a lot of people who will only call this character Ben Solo, because that’s who he is to them. I can respect where that’s coming from, I can.

But this single panel here in the new comic REALLY speaks to me. Ben doesn’t want to be Ben. At this point in his life, Ben has broken (or feels he has broken) every tie to those terrible, overshadowing expectations. He thinks he’s killed Luke Skywalker. The temple has been destroyed, the students within it burned alive. The three that weren’t there to see it didn’t believe him, that he was attacked; only one wavered but ultimately sided with the other two. 

He’s alone now, but for his one friend, the one who has always understood him.

Ben doesn’t want to be a child of the Skywalker bloodline. He doesn’t want to be told where to go, what to study, how to be, who to be. The contrast between this older Ben and the younger one we meet in issue #2 is the difference of a decade. Younger Ben idolizes his uncle. This Ben just wants out. He’s done the unthinkable but you can still see his agency coming through. This Ben is making choices, determining his new path. He’s running, but he’s running with a hand on a lifeline.

The language in these comics is fascinating. Snoke and Ben refer to each other as friends. Snoke leads Ben’s questions, offers comfort that Ben so gratefully accepts, commiserates with him even while reminding him that they both thought it might come to this. The father figure parallels are mighty. Snoke has yet to lead Ben into actual darkness, has yet to push Ben into the pit we all know is coming; here, he’s simply the steady hand of welcome and acceptance. 

As a child, knowing there’s a bolt hole away from pressure and expectation is invaluable. Being able to use it to get away is a treasure beyond price. 

So here’s the thing for me. Kylo chose his name for a reason. He’s not a split personality, Ben Solo is not a repressed facet of his personality. It’s not possible to scrub Kylo Ren off like a bad case of dandruff. While I get why some fans would like to pretend Kylo Ren is the physical mask that Ren destroys, leaving only bright, shiny Ben underneath, it’s just not true.

Although I am completely ignoring the dumpster fire that is TRoS, the part in the movie where Rey heals Kylo after stabbing him and then babbles that she did want to take his hand - Ben’s hand - is telling of this attitude. She’s offering a completely conditional love in that scene. She wants him to recant every single one of his choices that led him to the place where he stands, revert somehow to the child he was before, to ignore every betrayal that sent him there. 

It’s stark and simplistic and devoid of reality. Kylo is Ben and Ben is Kylo. Kylo is woven into Ben, if you want to think of it that way. They are not separate people.

Kylo is a series of choices, a new name for a new set of priorities. Up til now, Ben Solo has done what everyone in his life has told him to do, because he wanted to please his parents, his uncle, wanted them to love him, wanted to be good enough that maybe, just maybe, they’d stop being so afraid. 

That didn’t happen. So now Ben intends to please himself and only himself, because that’s the mandate of the shadow. If he’s so dark that even the great jedi master Luke Skywalker wants him dead? Then dark he will be. He’ll be everything they were afraid of because that’s what they’ve left him. His own path. His own choice. A name to reflect who he wants to be, not what everyone has told him to be. 

(…and, of course, there’s Snoke smiling in the background, but it’s going to take near another decade and a scavenger girl for Kylo to see he just traded one prison for another, hungrier one.)

I can also make mention here that for all that Snoke is truly evil, he does do exactly what he promises. He does teach Kylo what Skywalker was too afraid to touch, how to take his anger and rage and turn it outwards. How to use the pain. How to channel it, how to focus it, how not to be afraid of himself and what he can do. How to breathe in power and discover all he can do with it. He expands Kylo’s training exponentially. 

The problem, of course, is that he also uses it to cripple Kylo in some very important ways but that’s for later. 

(Also, gotta mention that this issue looks like they’ve really got the art down in this new issue, I enjoyed it so much more than the first.) 
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permian-tropos:

itspileofgoodthings:

he doesn’t. redemption is not and never will be reserved only for those who “deserve” it. the concept of someone “deserving” to be redeemed is in itself an oxymoron. get over it.

when I think about Kylo Ren “redemption” I don’t really bother with “does he deserve it” because you can give any villain a character arc where they learn to be less evil

I mostly think, is there enough narrative space left to satisfyingly show the amount of change that would need to happen, without it stealing screen time from the main characters

sometimes I also think, has it been frustrating for some people that Kylo Ren’s change of heart has been an assumed certainty, that the experience of watching him make villainous choices is weighed down by the pressure not to hate him Just Yet, give him one more chance

villains who haven’t been teased redemption arcs (eg. Palpatine) are pretty enjoyable to watch because you can be freely angry with how they torment the protagonists you love. and the story isn’t trying to smush that anger with this empty promise that they’ll be good one day

even a guy like fucking DJ, who I imagine could turn good if the plot wanted, doesn’t ask of you to suspend your anger at his betrayal. so if DJ did have a redemption arc I’d be like happily experiencing it as it’s taking place, not being relentlessly told to project a whole movie’s worth of character development onto him that I haven’t seen yet

Yeah. The surprise is not there. It doesn’t feel narratively satisfying because we can’t let the character be what they are now.

I mean I don’t hate villains, as a rule. I generally love villains providing they’re competent and have at least some standards. But it’s hard to do that when the character is not really allowed to be a villain, because the possibility of his redemption is being teased over and over again.

At this rate I’m really more tired of it than anything, and if he is redeemed I’ll be going “well duh - we knew that was going to happen from day one.” Which is not really the emotional response that I think is wanted.

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