Jul. 5th, 2019

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filigranka:

nibi-nix:

yashkonu:

when you ship a rarepair but youre real passionate about it

[personal profile] filigranka

Indeed! <3
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shitpostsampler:

dignitywhatdignity:

lectorel:

corvidprompts:

“Jesus christ eat the goddamn mac and cheese.” scowls the hero “I can hear your stomach growling through your armor, you know.”

The villain blinks “You-”

“Are feeding you, yes. If all I wanted to do was punch people and throw criminals in jail, I would’ve become a vigilante. Heroism involves kindness, dipshit.”

“Heroism involves kindness, dipshit” is the most amazing phrase I’ve ever read. I need to incorporate it into all my work.

[profile] shitpostsampler ?
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sentirum:

Okay evolution was a mistake im going back in the water
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hexglyphs:

hexglyphs:

i slept in until 5pm and while i did i had this dream that the new meme was that “i see no difference. love is love.” panel comic except the other 3 panels were replaced with pictures of things that were all related in some way but not exactly the same and i made one with pictures of a marsh, a bog and a fen with the caption “i see no difference. mud is mud.” and i got so much hate for it that i had to delete my blog

like this
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downtroddendeity:

dukeofbookingham:

millennial-review:

Oh hey I haven’t yelled about voting in a while

It’s also a census year. Which means state legislatures are going to be redrawing their districts.

Thanks to the magic of gerrymandering, whoever’s in charge of the state during redistricting has a ton of power.

Republicans focusing on taking control of state legislatures because people don’t pay attention to them and gerrymandering to give themselves the advantage is a major part of what got us where we are now.

So if you can, pay attention to state legislature races and vote down the ticket. The districts are often small and races are often decided by a couple hundred or even a few dozen votes, so in a lot of cases it can be totally doable to flip a seat.
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oldlace:

y’all gonna forget the time Anathema was one of us

kotoinari:

Jul. 5th, 2019 09:24 am
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kotoinari:

真夏のムービーナイト
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fuckyeahhayleywilliams:

paganinpurple:

animentality:

stanseb:

My mom just sent me this video without any context??

thanks mom, how’d you know what i was doing today

For the love of Gods, unmute this please

ok but canadians seriously do act like ketchup has cocaine in it they eat so much of it

with. EVERYTHING.
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genalovestoons:

Funny if we both got it wrong, eh? If I did the good thing and you did the bad one?
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leahelizabeth89:

mickmercury:

potentially controversial opinion incoming

sam vimes’s natural anti-drunkenness (being knurd) is described as seeing the world the way it actually is, without all the comforting illusions people have for themselves. having a witch’s First Sight means that “you can see what really is there.” granny weatherwax says that evil starts with treating people as things, and, often but especially vividly in Feet of Clay, sam demonstrates repeatedly that he will not stand for the golems being treated as less than people, for the poor being treated as disposable by the rich and powerful, for anyone thinking that anyone else doesn’t matter. the hiver gets inside tiffany aching and reveals the Chalk in her soul. the summoning dark gets inside sam vimes and finds a city in there. and sam vimes knows how to be selfish, to claim his city and his people as his, to protect them. witches watch over people who are frequently small-minded and ungrateful and stubborn and they do it anyway because it’s what you do, because it needs to be done; and sam vimes says pretty much the same thing every time he considers the people of ankh-morpork. and you can call him mister vimes, but only if you’ve earned it.

doylist conclusion: terry pratchett knew what his taste in protagonists was

watsonian conclusion: vimes is an urban witch and ankh-morpork is his steading gods damn it

[personal profile] thebibliosphere
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ppaction:

⚠️ RED ALERT: An unprecedented 17 states filed six-week abortion bans this year… ⚠️ 

Nearly *300* abortion restrictions have been introduced since JANUARY.

Tell lawmakers to STOP using six-week abortion bans to make YOUR choices for you – add your name here!
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madmaudlingoes:

sazandorable:

sazandorable:

flo-nelja:

sazandorable:

I just spent 2 hours debating and testing and arguing in circles and bitching about library catalogs with two colleagues and I just want to say

AO3’s website is really, really, really impressive, functional and ergonomic and cohesive. the tag system is INCREDIBLE and AMAZINGLY maintained. this is my professional librarian appraisal.

I’ve found 1 library catalog that meets my standards. even the national library of France’s catalog is shitty in comparison to ao3.

praise.

It’s awesome! As a total ignorant, can I ask what AO3 does and library catalogs don’t?

i might actually type out a longer answer but what it really boils down to is: YOU ACTUALLY FIND WHAT YOU’RE LOOKING FOR

ok so here’s the long unreadable (and probs uninteresting to anyone else than me) version:

- the site design and overall look. it’s easy to read, easy to navigate, and easy to notice what you can click on. Makes good use of fonts and text sizes and styles to make important things stand out and be easily found at a glance, and is just overall very readable. The icons with hovertext! The tags! the amount of info that’s readable at a single glance and actually fits on the same page!

this is BASIC STUFF and it is not a given on a LOT of professional library websites i run into regularly and that drives me INSANE. (Mostly bc one of the very popular, cheap, and easy French-language library catalog softwares has a default online catalog design that sucks and which librarians generally don’t tinker with much.)

- again this seems obvious, but the filters when you’re inside a fandom/tag are SO VISIBLE and SO EXPLICIT. The filters menu makes it instantly clear what it’s for, is easy to navigate and understand and use, intelligently suggests the most popular tags first (which also immediately gives you a lot of information).

My library’s online catalog (which uses the default website set-up I mentioned above) has exactly the same thing, but stupidly executed, unreadable and incomprehensible, and somehow completely unnoticeable despite being exactly in the same place on the page. The site design makes very bad use of the space on the page and basically you just don’t even look over there because it’s so far away from where the rest of the information is and it simply never catches your eye, and even when it does, the vocabulary used is so obtuse you don’t realize what it’s for.

IT’S SO… STUPID AND EASILY FIXABLE… but apparently no public library in the french language can afford a website designer, or they’re all horrifyingly bad

- and finally: THE TAGS. One of the biggest issues we have in catalogs is that people use different words for the same thing. In order for you to find books relevant to your search, we have to apply topic keywords to them (basically: tags), but of course there are Norms so that all libraries, or at least all employees in the same library, use the same keywords. Except despite the norm that still doesn’t happen. I don’t know how it goes in the English-language world but for French language it’s all horribly complicated and surprisingly non-functional, despite how easy it seems in theory, and leads me to complain about the Bibliothèque Nationale de France about once a week at least.

Easy example that I’ve complained about today (for the 6th time this year): ADHD. The term used by the BNF, that we are supposed to use, is “Trouble de l’hyperactivité avec déficit de l’attention” (“hyperactivity disorder with attention deficit”). That’s… not only outdated but flat-out inaccurate (according to French’s current stance on it) — the term people actually use nowadays is the opposite way around, “trouble de l’attention avec ou sans hyperactivité” ( “ADD with or without hyperactivity”), commonly abbreviated to “TDA/H”. The BNF’s system does accommodate for various synonyms, but it appears unaware of this one, so if you search “TDA/H” in the keywords, you won’t find anything. You’d have to look in the title, and if none of our books have it in their title, you’ll find nothing at all, and won’t even be redirected anywhere if we strictly follow the BNF system. (WHAT IS THE POINT OF KEYWORDS THEN, one might ask.)

Tl;dr: you look for the word you and most people actually informed about a topic use, and find nothing at all because some rando has decided that’s not the word you should be using. (Unsurprisingly, this problem pops up a looot for keywords related to minorities, mental illnesses and LGBT+ topics.)

It’s like if you tried to search a site for “fluff” and didn’t find anything because the site has decided to continue using “WAFF” instead. Also, the site has decided that hurt-comfort and guro fic are the same thing, makes no distinction between levels of romance and eroticism so there’s no way to tell cute handholding from smut, and believes that the word “furry” means they get a dog.

=> The system of letting people use their words and linking them — making them synonyms — with what other people have used for the same meaning completely blows my mind. I am in awe of the fact that it works, and that it’s still happening, even though iirc tag-wranglers are unpaid volunteers. I couldn’t imagine doing something like that in just our catalog, and AO3 is massive.

The result is: not only do you find what you’re looking for, but if your search accidentally picks up other things too, you know what it’s actually about because you get it in the author’s words.

AO3′s tag system is an incredibly clever and simple solution to a very real and thorny problem that I run into almost every day.

tl;dr AO3 is just generally a perfectly functional and user-friendly site, instantly easy to use in order to tailor your search to exactly what you want (and even more so with the addition of the exclusion operator to the filters sidebar), and on a technical library-science viewpoint, it’s fascinating.

This is taking me back to when AO3 was first born, and I was having a conversation with someone ([personal profile] icarusancalion, I think?) about how I didn’t think the tagging system was ever really gonna be useful. 

I knew the kind of top-down tagging system that libraries use was often useless for the same reasons you’re describing here: academics like the idea of a priori systems and exclusive classification schemata, but AO3 tagging is useful precisely because tags can be messy and overlapping rather than strict hierarchies. You’ll never get all fandoms everywhere to agree on a common tag family, I said c. 2008. It’ll be outdated before it’s even implemented. But relying entirely on user-generated tags will be a logistical nightmare, past!Maud also argued, because there would be no way to manage synonyms and near-synonyms and typos that would rapidly bloat the system to uselessness. 

Well, 2008!me was right about top-down schemata but wrong about user-submitted tags, thanks almost entirely to the work of the tag wranglers: human curators who take the time to link and nest related tags as they come up, without relying on a pristine (and utterly dysfunctional) a priori system to do so. 

Would real-world academic libraries benefit from tag wranglers? Absofuckinglutely, but I really don’t think most of them would ever implement them for the same reason past!me was skeptical of them. Maybe if they were shown how well it works on AO3 (where the wranglers are all volunteers!) they might be persuaded to hire some workstudies or under-employed PhDs to wrangle for them. And then the world would be a better place. 
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cuppyren:

finally sharing the Emperor Hux & Hound Kylo commission the fantastic [profile] cynicalbounce did for me! Commission her if you get a chance! 
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ineffablyqueerdougal:

marveliciousfanace:

I love the Good Omens fandom for a lot of reasons, and one of them is that, in addition to the usual lovely comments on my fanfic, I also get such gems as “Wahoo” and “Thank you for my pornography” (usually in all caps). I love all the comments I get, but those never fail to make me laugh.

Same 😄
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thealogie:

thealogie:

The depth of acting he accomplishes in this moment alone….I cannot stand him at all….

I hate him. What the. Fuck is…

BITCH IM GONNA KILL YOU
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shannontlkearns:

But what about the verses in Genesis? Leviticus? Romans? How do you explain….? What about…? Then someone else counters with Galatians and David and Jonathan and Jesus and the Centurion’s servant. And the wheel spins on.

I know how badly you want a simple, clear, 100% unquestioned answer. 

It doesn’t exist. 

There are a million reasons it doesn’t exist (language, translation, culture, etc.) but the root of it all is that it doesn’t exist because the Bible isn’t a singular text of rules. It’s not a history book or a science book. Hell, it’s not even A BOOK. 

It’s a library of books all written by different people in different time periods. Different Scriptures argue with other Scriptures. They contradict each other. They are in dialogue with each other. 

And if all of THAT weren’t confusing enough add in the countless scholars throughout centuries that have disagreed and fought and punched each other (for real) and called each other names. They ALL had different interpretations of what texts meant. 

“SO what? Do we throw it out? You must not take the Bible seriously!”

I actually take the Bible very seriously. I’ve devoted my life to the study of it. And it’s BECAUSE I take it so seriously that I refuse to let it be reduced to a simplified rulebook. I refuse to let it be used to condemn people it doesn’t condemn. I refuse to let it be mistreated and used as a weapon.

Just because there are no simple answers doesn’t mean the text is worthless. Instead it’s a collection of poetry, stories, songs, and more that are written by real people in real places at real points in history. They are struggling to make sense of their place in the world and their relationship with the Divine. It’s gritty and messy and filled with mistakes because that’s what it means to be human.

But it’s also filled with immense beauty, with passion, with struggle. It tells the story of a people struggling with who’s in and who’s out (and a God who is always calling them toward more inclusion). It’s the story of a people who struggle with what it means to do justice (especially in the face of Exile and Empire). It’s the story of a people who struggle to make the presence of God known through how they behave. 

The Bible still has immense relevance today but only if you read it the way it was meant to be read, not as a rulebook full of easy to understand facts but as a testament to the human struggle to connect with God and do right by each other. 

And let me tell you, if you can get off of the “BUT WHAT ABOUT AHHHHHHHH….” hamster wheel you will uncover such beauty and depth and the Bible will be so much richer. 

(for an easy to read intro to how to read the Bible, check out Rob Bell’s newest book “What Is The Bible?” For a weekly podcast with queer takes on the Scripture passages, check out [profile] queertheology)
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ghostly-ace:

You’re allowed to have fun with your identity, whether it be creating pride art or merch, writing literatre, headcanoning characters, etc. It’s all wonderful and you shouldn’t let people stop you from your fun!
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gffa:

bpdanakins:

gffa:

ANAKIN SKYWALKER, ATTACHMENT, GREED, AND THE DARK SIDE:

The Making of Star Wars: Revenge of the Sith, page 213:

“No human can let go,” Lucas would say of [the Yoda-Anakin scene]. “It’s very hard. Ultimately, we do let go because it’s inevitable; you do die and you do lose your loved ones. But while you’re alive, you can’t be obsessed with holding on. As Yoda says in this one, ‘You must learn to let go of everything you’re afraid to let go of.’ Because holding on is in the same category and the precursor to greed. And that’s what a Sith is. A Sith is somebody that is absolutely obsessed with gaining more and more power - but for what? Nothing, except that it becomes an obsession to get more.”

“The Jedi are trained to let go. They’re trained from birth,” he continues, “They’re not supposed to form attachments. They can love people- in fact, they should love everybody. They should love their enemies; they should love the Sith. But they can’t form attachments. So what all these movies are about is: greed. Greed is a source of pain and suffering for everybody. And the ultimate state of greed is the desire to cheat death.”

Star Wars: Attack of the Clones commentary track, George Lucas:

“The fact that everything must change and that things come and go through his life and that he can’t hold onto things, which is a basic Jedi philosophy that he isn’t willing to accept emotionally and the reason that is because he was raised by his mother rather than the Jedi. If he’d have been taken in his first year and started to study to be a Jedi, he wouldn’t have this particular connection as strong as it is and he’d have been trained to love people but not to become attached to them.

“But he has become attached to his mother and he will become attached to Padme and these things are, for a Jedi, who needs to have a clear mind and not be influenced by threats to their attachments, a dangerous situation. And it feeds into fear of losing things, which feeds into greed, wanting to keep things, wanting to keep his possessions and things that he should be letting go of. His fear of losing her turns to anger at losing her, which ultimately turns to revenge in wiping out the village. The scene with the Tusken Raiders is the first scene that ultimately takes him on the road to the dark side. I mean he’s been prepping for this, but that’s the one where he’s sort of doing something that is completely inappropriate.“

Star Wars: Attack of the Clones commentary track, George Lucas:

“The scene in the garage here, we begin to see that what he’s really upset about is the fact that he’s not powerful enough. That if he had more power, he could’ve kept his mother. He could’ve saved her and she could’ve been in his life. That relationship could’ve stayed there if he’d have been just powerful enough. He’s greedy in that he wants to keep his mother around, he’s greedy in that he wants to become more powerful in order to control things in order to keep the things around that he wants. There’s a lot of connections here with the beginning of him sliding into the Dark Side.

“And it also shows his jealousy and anger at Obi-Wan and blaming everyone else for his inability to be as powerful as he wants to be, which he hears that he will be, so here he sort of lays out his ambition and you’ll see later on his ambition and his dialogue here is the same as Dooku’s. He says “I will become more powerful than every Jedi.” And you’ll hear later on Dooku will say “I have become more powerful than any Jedi.” So you’re going start to see everybody saying the same thing. And Dooku is kind of the fallen Jedi who was converted to the Dark Side because the other Sith Lord didn’t have time to start from scratch, and so we can see that that’s where this is going to lead which is that it is possible for a Jedi to be converted. It is possible for a Jedi to want to become more powerful, and control things. Because of that, and because he was unwilling to let go of his mother, because he was so attached to her, he committed this terrible revenge on the Tusken Raiders.“

Star Wars: Attack of the Clones commentary track, George Lucas:

“The key part of this scene ultimately is Anakin saying “I’m not going to let this happen again.” We’re cementing his determination to become the most powerful Jedi. The only way you can really do that is to go to the Dark Side because the Dark Side is more powerful. If you want the ultimate power you really have to go to the stronger side which is the Dark Side, but ultimately it would be your undoing. But it’s that need for power and the need for power in order to satisfy your greed to keep things and to not let go of things and to allow the natural course of life to go on, which is that things come and go, and to be able to accept the changes that happen around you and not want to keep moments forever frozen in time.“

Interview with George Lucas, BBC News 2002:

“Jedi Knights aren’t celibate - the thing that is forbidden is attachments - and possessive relationships.”

Interview with George Lucas, Time Magazine 2002:

“He turns into Darth Vader because he gets attached to things. He can’t let go of his mother; he can’t let go of his girlfriend. He can’t let go of things. It makes you greedy. And when you’re greedy, you are on the path to the dark side, because you fear you’re going to lose things, that you’re not going to have the power you need.”

This is a collection of quotes from George Lucas to further clarify what the dark side and attachment mean within this specific universe.  It’s often too easy to conflate attachment with any kind of love, but George Lucas directly states many times over that that’s not what attachment is–instead, it’s linked to possessive behaviors, which is where Anakin’s problem comes in, that he rejects distinguishing the two.

The narrative intention is that, yes, avoiding attachments for a Jedi is a good thing, because Anakin’s attachments are what cause him to become Darth Vader.  George Lucas says this many times, it’s never about how, oh, the Jedi’s teachings are bad, oh, the Jedi are toxic or they reject love or whatever.  Rather the opposite is explicitly stated!  No, it’s not about anything other than how it’s straight to the point–Anakin’s inability to accept the difference between compassionate love and possessive love, his refusal to let go of his attachments, is what causes him to be Darth Vader.

It’s never about how the Jedi adhere to the light side–which George Lucas also says is a good thing, the entirety of his explanation about what the light side and dark side are, how the light side leads to true joy, while the dark side leads to unhappiness, are how he fundamentally set up this world.  That the movies are centered around the themes of good vs evil, about selflessness vs greed, and that “the world works better if you’re on the good side”.   The light side is fundamentally the good side, that’s just how the Star Wars universe works.

George further states:   “If he’d have been taken in his first year and started to study to be a Jedi, he wouldn’t have this particular connection as strong as it is and he’d have been trained to love people but not to become attached to them.”

If he’d been trained earlier, he would have been fine.

The problem is not the Jedi’s teachings, the problem is that Anakin refused to take them to heart.  The dark side is objectively bad in the Star Wars universe, you must face it and train yourself away from it, “[The] only way to overcome the dark side is through discipline. The dark side is pleasure, biological and temporary and easy to achieve. The light side is joy, everlasting and difficult to achieve. A great challenge. Must overcome laziness, give up quick pleasures, and overcome fear which leads to hate.“ –George Lucas, The Clone Wars interview, 2010

And, in doing so, Anakin is defying the path he should have been walking.  “It’s fear of losing somebody he loves, which is the flipside of greed.  Greed, in terms of the Emperor, it’s the greed for power, absolute power, over everything.  With Anakin, really it’s the power to save the one he loves, but it’s basically going against the Fates and what is natural. “ –George Lucas, Revenge of the Sith commentary

I want to preface this first @ OP: I am reblogging this bc I don’t think I could get my thoughts out well in the tags and I think it might make for a decent discussion, but I also know how this fandom can be, so if anything I say makes you uncomfortable or unhappy, let me know and I’ll delete it! We’re all just here to love things and have fun and discuss theories, etc, and I don’t want to take that away from you. <3

Anyways, I think part of the problem is that what George says and what he shows can end up being different. I don’t think it’s done intentionally of course - even the medium of a movie can make things like this lost in translation, simply because they’re stuck on a time frame and the movies aren’t all about Anakin or discussions of the Dark Side, but it might explain why the Jedi Order is seen the way it is by many fans.

Parts of Anakin’s greed or need for power are shown pretty clearly - such as in the garage scene, or some moments with Padmé. But, simply put, it cannot be shown that way in regards to other things, such as his mother’s death and the visions for it.

The problem is that we’re shown a teenager who is having violent visions of his mother being tortured and dying. This is unarguably messed up, for anyone. And he tries to ignore it, as Obi-Wan suggested, but naturally it bothers him enough he needs to go see her. Then we find out she’s been kidnapped, so once again, kind of naturally, he goes to find her. When he does, she’s been tortured and dies in his arms, which is what causes him to go on a murder spree.

The problem with saying this is supposed to show greedy love is that it doesn’t, psychologically. We see someone having almost vivid visions of someone dying - and worse - which I cannot imagine for a moment anyone would cope super well with. Then we see him go through something undeniably traumatic, and his instant reaction to that trauma.

This doesn’t really show the audience that he’s unable to let go, it shows that he’s been through something terrible. All we see on screen is that the trauma happens, and he has an immediate reaction to it. I suppose we are meant to assume he should have ignored the visions until she undoubtedly did die in reality, then they would have gone away and, technically, nothing would have come from it. Or maybe he could have taken his mother back to the Lars farm right away, rather than, you know, murdering a bunch of people.

Unfortunately, none of this really makes sense psychologically or emotionally. It’s all well and good to say that he should be able to accept her (or Padmé) dying - and it’s something that is true, that we do need to mourn and eventually move on - but considering he’s plagued with horrifying visions, it’s not really something we can expect anyone to react calmly or objectively to. So his reactions don’t come across as an inability to let go or becoming greedy for power (at least, in the moments regarding his mother in AotC), just that he’s having his instant reactions to traumatic things.

The times that show Anakin’s inability to let go are when he decides to commit terrible things to prevent Padmé potentially dying in RotS, when he promises to become powerful enough to stop death and carries through with that promise, but not really in him having fear from having dreams of his wife dying in childbirth, while also not knowing if the child lives or not either. 

Anyways, the point is that the moments George might hope to show greedy love and a need for power - at least, in some of the above commentary - is that they simply don’t. The audience isn’t going to look at those moments through a spiritual lens, but an emotional one, and because of that, I don’t think he gets the messages he makes here show in the movies as much as he wants. And because of that, the audience’s view of the Jedi aren’t the ones he exactly wants to see.

Yoda’s lines in response to Anakin coming to him are definitely true, but completely unhelpful because of why Anakin came to him. It’s not helpful to Anakin’s emotional state, and the audience sees this and also knows because they undoubtedly would find 0 comfort in it as well if they were in Anakin’s shoes. And the visions wouldn’t just bring about fear of losing someone, but are emotionally distressing in general. Thus, this scene doesn’t translate to greed or lust for power, just that when he reaches out, he doesn’t get the support he needs.

We do see the Dark Side corrupts, we do see Anakin losing all of what he is to it - the entirety of Mustafar shows how different Anakin is - but some of the times he points to above don’t read the way he says he wants them to. We cannot think for a moment that being raised a Jedi from birth would make his reaction to some of these things super different, bc people in general don’t work that way. 

I don’t know if it’s because he kind of stuck himself in a bit of a corner, where the end goal was Darth Vader but still someone we could empathize with, someone who still is good, and also show the ways the Dark Side are obviously bad, that he ended up writing moments that don’t show that being too old for training or being unable to let go, just him going through some messed up things. Some moments he shows it very well, but some of the times he brings up don’t. Thus it doesn’t appear as Anakin’s problem of not taking Jedi teachings to heart. 

Which is probably why the audience doesn’t see it as “Anakin was too old and because of being raised by his mom, he was doomed for failure as he couldn’t accept Jedi teachings,” more that, “Here’s a guy going through fucked up shit, and the Jedi’s ways and the Jedi themselves aren’t helping him cope with it.”  We see Vader as the end result of not just an inability to let go or lust for the power to keep the people he loves, but also that there was no emotional or psychological support from the Jedi.

And we also know that looking at art through a Word of God lens isn’t always helpful (or just downright not recommended, like if we all decided to take JKR’s newest tweet as canon), so even what he says doesn’t really change that. ntm the general audience doesn’t read/watch interviews or commentaries very often.

tl;dr: What George says and what he shows aren’t always compatible, and this is part of why many people see the Jedi Order as a whole in a bad light. Pile this on with flaws of specific Jedi and the whole bit where the Council sat next to a Sith Lord and didn’t notice, it doesn’t make for the best case for the Jedi, when it comes to Anakin. The problem isn’t necessarily a lore-wise one, but that the writing and the medium don’t always get the image across the way it’s intended.

Anyways, the discussion here is whether or not the medium or the way parts or written/shown are why the Jedi Order are often viewed the way they are in the fandom, rather than the lore, etc.

I really appreciate the compassion and consideration you’ve shown in approaching this topic and I sincerely hope that I can return it, that if anything I say makes you uncomfortable, we can absolute drop the conversation, I don’t want to run roughshod over your boundaries, either–because this is a hugely complicated topic in the sense that we’re dealing with probably five or six separate issues that all get wrapped up in it!  People’s individual boundaries, the way it’s a delicate line to walk when discussing other people’s fandom opinions without getting into passive aggressive, condescending territory and how often fandom fails at that, Word of God vs Death of the Author, just straight up different interpretations, and a really complicated issue of how much one person yelling on the internet about some stuff George Lucas said in an interview is even relevant to anyone else’s take on fandom.  Just because Tumblr User Lumi Said A Thing About What George Lucas Said, that doesn’t mean anyone has to even read it, much less has to take it into account!  (I think this post about Word of God vs Death of the Author and my feelings on it, does a better job of explaining where I’m coming from.)

And another problem is–are we discussing ONLY the stuff George Lucas was involved in (ie, the movies + TCW) or all of canon?  Or even just only the movies?  Are we focused on How Other People Could Interpret This Thing or are we focused on What George Lucas Did/Didn’t Show?  Because those are all pretty different structures for this conversation!  I’ll do my best to be coherent in my responses, too!  XD  (I’m mostly focusing on What George Lucas Did/Didn’t Show, for the record!)

I also want to say ahead of time, I’m going to have some Strong Opinions, but they aren’t meant to say that you absolutely must interpret things the way I do, because I get that your post was written to explain the interpretation of someone who is Jedi critical, rather than trying to state things as fact and I’m wrong if I disagree.  I may well fail in weaving that same tone into my response, but I assure you it’s genuinely meant!  I state things with a strong voice, but if you disagree, eh, one of my fundamental views of fandom is that we’re all watching a movie and coming away with different interpretations, we’re all watching our favorite show and drawing a picture on it afterwards, some people are going to use blue to color the house they’re drawing, some people are going to use green!  That’s just how audience reactions work.

But, simply put, it cannot be shown that way in regards to other things, such as his mother’s death and the visions for it.  The problem is that we’re shown a teenager who is having violent visions of his mother being tortured and dying.

I think this is a really interesting point of contention and quite possibly will be really relevant to the focus of our conversation–in the scene in AOTC where Anakin tells Obi-Wan about his dreams, he makes absolutely no mention or indication that they’re violent dreams.  He only says that he’s dreaming of her and not sleeping well, then Obi-Wan reassures him that dreams pass in time (dreams are just dreams, your mind working stuff out, etc.) and Anakin immediately changes the subject.  Later, in a deleted scene, on the ship he has a bad dream, but we don’t know the content of it.  On Naboo, he has a nightmare that he wakes up from, but we don’t know the content there, either, only that Shmi is saying, “No!”  When he wakes up and is meditation on the veranda, he says, "I saw my mother. She is suffering, Padme. I saw her as clearly as I see you now. She is in pain."  But I don’t remember any point where he told any Jedi about this or even that they were violent dreams before that point.

It’s easy, with foreknowledge, to assume that Anakin’s dreams were violent in the beginning of the movie (and maybe they were! it would make sense, but we’re not actually shown it), so it doesn’t follow that the Jedi knew weren’t doing anything about it, because he doesn’t actually say anything, and when Obi-Wan tries to talk to him, Anakin is the one who turns away.  Yes, Obi-Wan says that “dreams pass in time”, but that’s solid advice when we’re not given any other indication that Anakin’s dreams have been seen as prophetic or anything other than a young man growing up and getting ready to do things on his own without his guiding figure and being anxious about it.  (We’re certainly shown that he gets anxious sometimes, like when he’s so nervous he’s sweating before meeting Padme, and Obi-Wan teases him into calming down.)

We’re also given indications that Anakin is kind of obsessive and unwilling to let go when it comes to Padme–he knew her for, like, a week when he was a kid, then dreamed about her for ten years.  And that’s not a huge sign in and of itself!  Especially when this is a fairy tale story and when it’s not like he’s gone off the deep end yet.  But it is an indication, in-movie, that Anakin tends towards the obsessive and greedy, that he thought about a person he didn’t really know (couldn’t possibly know in that short of a time) for ten years and married her after only knowing her like a week as an adult.

Then we see him go through something undeniably traumatic, and his instant reaction to that trauma.This doesn’t really show the audience that he’s unable to let go, it shows that he’s been through something terrible.
His reaction to the trauma is beyond the pale, though!  If he’d just destroyed a building or even just the Tuskens who directly hurt his mother, that would be one thing.  But we know he murdered the children, too.  It’s not at all reasonable for him to lash out and murder their women and children in his rage.  This is an event horizon for his character, he crossed over the line and it’s no longer an understandable reaction to his trauma.  And that entire conversation with Padme shows that he’s digging deeper into that mindset:

Padme: “You’re not all-powerful, Ani.”
Anakin:  “Well, I should be! Someday I will be. I will be the most powerful Jedi ever! I promise you. I will even learn to stop people from dying.”

In and of itself, potentially not that big of a deal!  (I mean, aside from that it’s paired up with a conversation where he’s talking about how he murdered the men, women, and children of a village, where he’s calling sentient beings animals, because he can’t deal with what he’s done.)  He’s in a bad place, people say bad things when they’re in a bad place, but as part of a larger storyline, yeah, it does still show that he’s grasping onto the mindset that he cannot ever lose anyone again, that he’ll become obsessed with not letting them die.  (Which is what his greediness is being defined as.)

If this was just saying something in the heat of a terrible moment, then okay.  But it’s clearly not–he goes on to do that very thing, to become obsessed with his unwillingness to accept another death (and that is what Anakin’s greed is–not for material things, but for how he’s greedy for these people to be in his life no matter what, not even death will stop him from keeping them) during ROTS.

all well and good to say that he should be able to accept her (or Padmé) dying - and it’s something that is true, that we do need to mourn and eventually move on - but considering he’s plagued with horrifying visions, it’s not really something we can expect anyone to react calmly or objectively to.

I don’t think most people are saying that he should just instantly be okay with his mom dying or that he should just suck it up and pretend he’s not feeling anything, that’s not how feelings work and the Jedi have said pretty consistently that feelings are normal.  What isn’t normal is, if he was having violent visions before this (and while it’s a fair assumption, it’s not a canon one, as far as I can remember, up to that point), he turns away from actually talking to people who would help him work through them.  Anakin turns away from that conversation with Obi-Wan, rather than saying, “No, I’m really having trouble with this, I need help, I think something’s genuinely wrong and I can’t handle this.”  This is understandable, I’ve been in that place, where it’s too hard to get the words out, I’m too scared to really look at something, etc.  But that doesn’t mean it’s on the other people around me or that they weren’t willing to help.

This is a consistent pattern with Anakin, too.  Off the top of my head, he’s the one who turns away from the conversation in AOTC, he’s the one who refuses to truly engage with Yoda and is only there to hear what he wants, he’s the one who lashes out and pushes Obi-Wan away when he tries to talk to Anakin about the deep anger he’s feeling over Rush Clovis, he’s the one who refuses to talk to Ahsoka on Tatooine, he’s the one who never told her about his past.  If you get further into stuff like the comics, Dark Lord of the Sith is basically a 25-issue comic about how Anakin Skywalker Cannot Let Go And Can’t Admit To Anything Even To Himself, as well as his obsession with not being able to let Padme go even after she’s dead.

Yoda’s lines in response to Anakin coming to him are definitely true, but completely unhelpful because of why Anakin came to him. It’s not helpful to Anakin’s emotional state, and the audience sees this and also knows because they undoubtedly would find 0 comfort in it as well if they were in Anakin’s shoes.

Here’s the conversation with Yoda:
Yoda:  Premonitions? Premonitions. These visions you have-
Anakin:  They’re of pain, suffering. Death.
Yoda:  Yourself you speak of, or someone you know?
Anakin:  Someone.
Yoda:  Close to you?
Anakin:  Yes.
Yoda:  Careful you must be when sensing the future, Anakin. The fear of loss is a path to the dark side.
Anakin:  I won’t let these visions come true, Master Yoda.
Yoda:  Death is a natural part of life. Rejoice for those around you who transform into the Force. Mourn them, do not. Miss them, do not. Attachment leads to jealousy. The shadow of greed that is.
Anakin:  What must I do, Master Yoda?
Yoda:  Train yourself to let go… of everything you fear to lose.

The whole conversation is like pulling teeth with Anakin, trying to get him to actually talk about it, beyond these one-word unspecific answers.  And Anakin is very much showing that he’s stuck on the idea of he won’t let this happen, no matter what and so I don’t see Yoda’s advice isn’t so much a, “Hey, you can never mourn for anyone.” but instead, “Whoa, let’s back up and look at the bigger picture here because we need to address that before we can address the other stuff.”  Because Anakin here is showing that he won’t accept that sometimes loss happens, even when he tries to listen to Yoda about training himself out of that fear, the way he lowers his head and doesn’t really look up, shows that it’s not sinking into him, not really.

But also, look at this conversation from Yoda’s point of view–he has no idea that Anakin is talking about Padme and visions of her specific death scenario, and quite possibly thinks he’s talking about Obi-Wan.  Yoda has no idea there are details to these visions, ones where he could say, “Maybe take her to a doctor, hmm?”  It’s entirely possible Yoda thought Anakin was talking about another Jedi, someone who has a relationship with the Force, who will rejoin the Force when they die.  But also that he’s picking up on Anakin’s unwillingness to accept that sometimes there isn’t something you can do–and we see examples in canon (like with Ahsoka’s visions of Padme, as well as in ROTS itself) where trying to prevent a vision is the very thing that makes it happen.  Anakin going obsessive about Padme is precisely what leads to her death.  Visions are not reliable (in the sense of “hey, here’s what’s going to happen, now you know how to prevent it!”), even if they are from the Force and not just bad dreams.

When I watch this scene, it is super clear to me that Anakin is there to find some way to prevent these visions from coming true, that’s what he’s tunnel-visioned on.  Which isn’t the real problem, that he wants to save a person’s life, if he can.  What is a problem is that his demeanor shows that he’s not really accepting what path he needs to take in a bigger picture way, that he eventually has to make peace with the idea that death happens, and it calls right back to AOTC–”Someday, I will learn to stop them from dying!” and is exactly why Palpatine can lure him in with that precise promise.  Because Anakin has absolutely no intention of letting this go–because he’s greedy for having the people in his life that he wants, that the movies as a whole paints that picture very clearly.

We see Vader as the end result of not just an inability to let go or lust for the power to keep the people he loves, but also that there was no emotional or psychological support from the Jedi.

This is why I reblog this post a lot–because Jedi methods are in and of themselves analogous to a form of psychological support/therapy that would especially help people with anxiety and PTSD, which are the two most common armchair diagnoses for Anakin.  Their methods absolutely could have helped Anakin, he was getting support just by virtue of being around these teachings, but he didn’t want to do things that way.  He “isn’t willing to accept [them] emotionally” is a behavior we’ll see from him pretty consistently.

I think one of the things that gets wires crossed a lot is that then that has to mean, oh, well, Anakin’s bad, that I’m blaming him for his own trauma or that I think he was never a good person and he never did anything right.  And I’m very much not!  He absolutely has a lot of traumatic stuff happening to him, he had a lot of good in him, but he consistently chooses not to acknowledge that he had options that he didn’t really want, in his heart of hearts.  Dark Lord of the Sith is twenty-five straight issues of Vader being shown he could have (and still could, at that point) taken a myriad of other paths and he rejects them all, says, “No, this is all there is.” (the path of the dark side/being Darth Vader).  We see that he consistently doesn’t reach out to anyone even when they come to talk to him or sit down with and listen to him, he lashes out, he changes the subject, he gives one-word answers, he has zero indication of actually hearing them.

Because sometimes people don’t want to admit they need to change on any kind of real level.  Because sometimes therapy doesn’t work, if you don’t want it to work or aren’t willing to apply it to your life.  (I have a lot of personal experience with this, that’s why I keep bringing it up, because this does happen sometimes.  That you can drive someone to therapy for years, you can drive them to meetings, you can offer to talk, you can be understanding and forgive the things they’ve done, and it’s not going to make a single bit of difference if they don’t really want to accept it or change themselves.  This doesn’t have to be true for everyone, but it’s very much a thing that does happen with some.)

Ultimately, it’s a delicate line to walk about talking how other people interpret a canon and I try to walk it as carefully as I can, because I don’t want to make sweeping assumptions or wander into condescending territory (especially when this fandom is so, so terrible about it), but I do think one of the things that leads to a lot of critical interpretations is the assumption that organized religions are meant to be portrayed as bad and corrupt.  We’ve been primed to!  I genuinely can’t think of very many mainstream popular media that depicts organized religion in any positive way, other that maybe some Jewish portrayals or maybe some Muslim portrayals.  (We’re talking positive representations only, in this instance, of course.  Because there are a lot of terrible representations, too, but that’s a whole other conversation.)  Especially one that people read a lot of Christian overtones into, rather than a mix of some of that, some of Buddhism, some of fairy tale religion stuff, etc.

Or like look at HOW MANY stories are about how unleashing your emotions are what make you powerful, that’s been a huge thing lately.  So a story that goes in the opposite direction, no matter what they show in the canon, is fighting against the tide of established assumptions we’ve been primed to think about how the story is supposed to go, rather than seeing it purely, one hundred percent on its own merits.  Or how we’re primed to think that romantic love is more important than duty, that duty cannot possibly be more fulfilling than romance, that if a character deliberately eschews it, they’re not fully relatable or “human” (yeah, I’m still mad about that article on how ROMANTIC love “humanized” Obi-Wan, like his love for his religion/culture and the people he cared about wasn’t enough, how those things are inherently lesser than romantic love), that anyone who says otherwise, is narratively in the wrong, that’s something we’re bombarded with, and so it’s easy to assume that’s what we’re supposed to go into the story with as a foundation.

There are also often a lot of assumptions being made about the Jedi–like, for example, with this post, that Anakin’s dreams were violent, when the movies don’t actually say that in any way the Jedi would have known about–and it’s easy to forget that they don’t know everything we, the audience know.  Or that the Jedi live literally by the “Jedi Code” when the only uses in canon are the Jedi using it as a meditation mantra, not a literal code (as well as clearly stuff like “you can’t have two Padawans at the same time” are nowhere in it, so clearly that’s not the only thing they live by), that the Jedi teach you’re not allowed to have emotions despite that we see them having anger and happiness and all that all over the place, that the Jedi had the authority to do whatever they wanted despite canon showing us consistently that they were only advisers and were often ignored, etc.  And when the vast, vast majority of fandom talks about it in those terms, it’s easy to get swept up in it–I say as someone who started out as exactly that, who was very Jedi-critical when I first got into fandom.

(Going back through some of my earliest posts is an absolute trip, because I was basing so much of my views on assumptions and what other people had said and how so many stories are structured in other mainstream titles!  Hence why that’s one of the things I feel comfortable talking about as a motivation for Jedi-critical stuff, because I’m talking from a place of experience.)

Anyway, so, if we’re only going with the movies, we don’t actually see much of anything outside of the specific plots (like we don’t see much of Anakin’s apprenticeship when he was younger, so we can’t say what he was like then, only that he’s a whiny teenager now), we can only guess based on the handful of moments we see of this stuff and the consistent patterns of the overall movie, and there’s often an assumption that anyone who starts out sweet and then turns out terrible later must be because no one tried to help them in any significant way, when real life really, really does not work that way.  And if we get into supplementary material we have stuff like this and this and this and this and this that show there was indeed emotional support and people trying to help Anakin and consider what he needed.
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genresavvygentleman:

truelight8:

genresavvygentleman:

furikomaru:

t-high-la420:

the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA

That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body. 

OKAY BUT HOLD ON THOUGH.

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.

The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.

Daaaamn, Tony. That’s fucking deep, my guy

I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.
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The Sharper The Knife:

copperbadge:

So when I said it would be “A while” before I posted the fic I guess I meant “A weekend”. 

Title: The Sharper The Knife
Rating: M 
Fandom: Good Omens
Summary: Aziraphale was intended to wield a blade in the end times. Crowley doesn’t mind in the least. 
Notes: Sure, Sam, let’s jump back into this fandom with mild knifeplay porn, that’s the ticket.

Dreamwidth readers find it here: https://archiveofourown.org/works/19411447
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People who think Shakespeare wasn’t actually Shakespeare, but that ‘Shakespeare’ was a secret pseudonym for someone more important and better educated, like the Earl of Oxford. 

See also: imbeciles.
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marshallmigraine:

this ISN’T fine young man your car’s on fire
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theeascetic:

“Touch Starved Hux & Kylo play a game of human contact chicken” - Part One

Based on a series of chats I had with [profile] armit4ge.
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neurovicky:

Nine of pentacles for the [profile] kyluxtarot!

One of the reversed readings for the card is pretty much ill-gotten gains, so the space hustlers au concept was an easy choice for me since it seems all I want for my space assholes is for them to travel across the universe, swindling and cheating the unsuspected of their credits for fun and profit ¯\_(ツ)_/¯
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crooowleys:

I asked for a rubber duck and made the Archangel Michael miracle me a towel.

bonus:
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101 PERMACULTURE DESIGNS, downloadable imgur album - Imgur
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drawlight:

the-moon-loves-the-sea:

Hey Lid honey [profile] a_liddle_bit_of_tenda sorry I’m late with the good stuff but I have GOOD stuff. I’m still reeling from the show and barely starting to sample what’s out there so this is just a smattering. 1000% agree that you and Darcy [profile] forineffablereasons are must reads. Also please have:

Four times Crowley called Aziraphale “sweetheart” without noticing (and One time he did) (3k, NR, love confession) by [profile] theladyzephyr, aka the absolute loveliest petname headcanon ever, or how many times can the famous cold open get mercilessly improved by more semiaccidental flirting?

Blank Cards and Infinite Stakes (currently 4k, G, mixed) by [personal profile] zingiber, an ongoing series of ineffable husbands prompted ficlets that has me by the heartstrings. Delicious.

Even Without Looking (17k, G, book!verse, heavenly court case, love confessions) by [personal profile] maniacalmole. This one had me yelling at the screen AZIRAPHALE GET IT TOGETHER but of course he does in the best way, because the angel’s slow but perfectly sure.

Everybody Knows but You (4k, T, getting together). Romcom style, deftly written. Anathema tells an idiot demon to get his shit together. I’ll never forget Crowley slamming back espresso shots to stop himself sleeping and dreaming about one perfect angel.

Ineffable Husbands (3k, G, nobody wants a divorce but will they just SAY so, nope, good god). Aziraphale and Crowley get drunk-married in the 17th century and forget all about it for four hundred years. Remembering proves awkward mostly because they’re both so secretly thrilled.

The Cupid (9k, G, outside pov, pining, happy ending) by [personal profile] maniacalmole. Heaven has cupids! Who are not chubby babies but full-grown angels who start to actually believe in love, because how couldn’t they. Even when it’s love between a poor pining demon and an oblivious angels–the ineffable moves in mysterious ways.

Lol B) (2k, G, love confession, Az can’t do technology) by [personal profile] maniacalmole. Crowley is too good in this, Aziraphale is trying so hard, and all’s well that ends well, even if he does think “lol” means “lots of love.”

NOUN IN THE FLAT (2k, T, moving in together). Clearly the only thing Crowley’s flat is really missing is Aziraphale. Also, the demon is much sweeter than the angel.

Like Fire and Water (3k, T, if an angel and a demon quote Song of Songs while they body-swap is that considered getting together, or maybe getting married) by [personal profile] sussexbound. Crowley gives up the last of his protections, and Aziraphale more than makes it worthwhile. The missing scene between the bus and the next morning.

Salinity (And Other Measurements of Brackish Water) (3k, T, love expressed by cooking, kisses and metaphors) by [personal profile] drawlight. Absolute poetry. The inside of Crowley’s mind, particularly out on the Downs, is full of seas and fears and hopes and mostly Aziraphale.

Running to Catch Up (2k, T, good god this is so soft, moving in together). Another take on the bus ride home and the missing night at Crowley’s, which mostly consists of Aziraphale taking every bit of tenderness he’s offered and being shocked to find more waiting.

get religion quick (cause you’re looking divine) (4k, G, first kisses are miraculous). Everyone and their mom has recced this, rightly. Crowley always thought Aziraphale knew. Aziraphale hadn’t, because he hadn’t realized there was anything to know.

Do Angels Dream of Electronic Catalogues? (1k, T, Crowley is a secret softie, Aziraphale dreams of serpents actually). The final nap before the apocalypse upturns some buried feelings.

i’d like for you and i to go romancing (6k, T, they do get there and it’s unexpectedly wholly charming on the way, Lord Byron is used as a curse word) by [profile] dollsome_does_tumblr​. Crowley did know first. Six thousand years of knowing could wear on a serpent, but Aziraphale is a pleasure to pine for.

such surpassing brightness (7k, G, ace!angel, who knows what Crowley is but he loves that angel, awkward revelations). Crowley could have gone without ever mentioning love to Aziraphale if the whole world hadn’t persisted in bringing it up for him. Or, the one in which queer artists throughout history make art of an angel and a serpent in love.

a name for earth (1k, G, a question of names, and the difficulties therein). Crowley discovers that he can’t say heavenly names any more. Aziraphael of the Eastern Gate decides he could be just Aziraphale, on earth.

Old Habits (1k, T, retirement, sofas and sleepy snakes). A slice of a slower life on the Downs.

Morning Has Broken (3k, T, grief, queer turn-of-the-century London and its devastations and the comfort of mourning with someone who listens) by [personal profile] dwarven_beard_spores. While Crowley’d slept, Aziraphale alone had found some mortal friends. And then he’d lost them.

Is That All There Is? (Saint Paul’s Surviv es) (1k, T, the blitz, mourning and slow dancing and confessions) by [personal profile] azfellandco. Aziraphale has thought he’d needed Crowley more, but war broke the serpent down with the city.

There are so many more fics that deserve attention—that’s a start. This fandom is fantastic. [profile] thegoodomensdumpster I believe you asked to be tagged in recs so here you go! 💛

Oh shit, thank you so much for including Salinity (And Other Measurements of Brackish Water)! I haven’t read most of these so I am going to just bury myself in them. <3
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How social media–savvy youth became the unofficial keepers of queer history:

makingqueerhistory:

“The dangers of forgetting our history are real. Younger generations, as much as they may want to learn about the past, have little access to the history of their ancestors. Because queerness is not commonly passed down among families, there is no transmission of generational knowledge in our homes; queer youth lack a built-in, widely accessible way to learn about their pasts. In the US, only two states — California and New Jersey — require that LGBTQ2 history be addressed in school, while no such rule exists in Canada. And this April in the UK, after significant controversy, the education secretary affirmed that there is no requirement to teach LGBTQ2 history in primary schools. So, in the absence of family stories or lessons in school, the rare mainstream representations, such as a Hollywood film like Stonewall, have the potential to skew queer people’s conception of their history.“
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neil-gaiman:

A few more of Hell’s motivational posters. I had too much fun with these. The hardest part was just persuading the art department that I was serious about getting them to forget everything they had ever learned about design…

I’ve never asked anyone to make sure that they used Comic Sans before.
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robinhess:

My NSFW Kylux fancomic “Feel The Dark Side“ Chapter 1
( - view from beginning - )
Page 5 <  Page 6 >  Page 7

  ❤ Early access to comics here!!! > patreon.com/robinhess

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